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REVIEWS

FILM

'PETITE MAMAN'—THE LOVE LETTER TO CHILDHOOD GRIEF THAT GROWS: CAMBRIDGE FILM FESTIVAL 

'TITANE'—A VISCERAL DISSECTION OF LOVE, SEX AND UNHINGED FANTASY: LONDON FILM FESTIVAL 

'BENEDETTA'—FILMIC FARCE SINFUL IN NAME AND NATURE:
LONDON FILM FESTIVAL 

'THE EYES OF TAMMY FAYE'—A WOMAN'S SICKNESS IN FAITH, MAN & DIET COKE: CAMBRIDGE FILM FESTIVAL 

'ENCANTO'—A PREDICTABLE PLOT LINE SAVED BY COLOMBIAN CULTURE 

'I'M WANITA'—COMPLICATED, MAVERICK & A MONUMENTAL GENIUS: RAINDANCE FILM FESTIVAL

'CLARA SOLA'—AN ESOTERIC EXPLORATION OF REPRESSED SEXUALITY: LONDON FILM FESTIVAL 

'MY SUNNY MAAD'—A WHITE LENS ON ASSIMILATING INTO FOREIGN PATRIARCHY: RAINDANCE FILM FESTIVAL 

'VAMPIR'—ARTHOUSE HORROR THAT FINDS NO THRILLS:
RAINDANCE FILM FESTIVAL 

'AMMONITE' IS THE PERFECT LESBIAN FILM—HERE'S WHY:
A LITTLE INSIGHT

10 FILMS ABOUT QUEER JOY TO WATCH THIS PRIDE MONTH:
THE INDIEPENDENT 

THEATRE

'BRAVE FACE' RUNS WITHOUT CAUTION INTO THE FIRE OF MISOGYNISTIC MANIPULATION: EDINBURGH FRINGE FESTIVAL 

'THE ENTERTAINMENT' IS A HAUNTINGLY ROMANTIC SPOTLIGHT ON THE PITFALLS OF IMAGINATION: EDINBURGH FRINGE FESTIVAL 

'KNOT: THE TRILOGY' IS AN EXISTENTIAL DEEP DIVE INTO WHAT WE BELIEVE IS REAL: EDINBURGH FRINGE FESTIVAL 

TELEVISION

'VIGIL' EMBODIES CLASSIC WATERCOOLER-MOMENT ACTION JUST SHORT OF PERFECTION: THE INDIEPENDENT 

'ONLY MURDERS IN THE BUILDING'—A WHODUNNIT THAT MIDDLES IN EXECUTION: THE INDIEPENDENT 

'HALSTON' IS A FASHION-FORWARD JOURNEY THAT'S COUTURE YET UNSURE: THE INDIEPENDENT 

INTERVIEWS

'I'M WANITA' DIRECTOR MATTHEW WALKER & STAR WANITA:
RAINDANCE FILM FESTIVAL 

LIVE REVIEWS

Radio Harrow 10.12.21
00:00 / 59:37
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